HIC*: Mendes da Rocha
Mostrando entradas con la etiqueta Mendes da Rocha. Mostrar todas las entradas
Mostrando entradas con la etiqueta Mendes da Rocha. Mostrar todas las entradas

miércoles, 26 de septiembre de 2012

Biennale di Venezia 2012 | Common Ground | I Giardini

Por Joan Massagué Sánchez



En esta segunda entrada repaso aquello visto en el recinto principal del evento. 
Se trata de I Giardini, un parque situado al este de Venezia, donde se encuentran los pabellones principales de cada uno de los países históricamente invitados, ademas de los pabellones Centrale y de la Book Shop.

miércoles, 7 de diciembre de 2011

Metro Arquitetos + Paulo Mendes da Rocha | Cais das Artes, Vitória

Fuente: Metro Arquitectos, Designboom



Composed by a Museum and a Theater equipped to host large scale art events, the architectural set designed for Cais das Artes (Quay of Arts), in Vitória, has as a main characteristic valuing the landscape and the historical surroundings of the city. Located on the Suá Bay, in a large plain field leveled with earth, in front of the canal that configures the island of Vitória, the project is a compliment to this territory, built on the astounding confrontation between nature and construction, in a city that is everyday excited due to the presence of the port and to the constant and energetic work done in the docks.

Such valuing means the decision of configuring the plain field as an open square for the entire city to enjoy: a public space next to the ocean. Furthermore, this implies on a decision to suspend the buildings as to allow the complete view from the square to the surroundings.

That is, not only to the dynamic spectacle that is the work being done in the sea, connected to the port, but also to the natural and architectural patrimony of the city, specially the mountains in Vila Velha and the Penha Convent, located across the canal, in front of the project site. Therefore, this is an urban-oriented architectural action, in the sense of adjusting history and geography to a desired view of the present, indicating at the same time a museological conception, an effort to combine art and science, under an integrated perspective.